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  • #186014
    Tift
    Participant

      Wallace Stevens received a national book award in 1951
      and spoke of the ‘modern poet’

      ” … we can’t compare modern poetry with the Lady of the Lake
      any more than we can compare Eisenhower with Agamemnon.
      A modern poet is nothing more than a person of the present,
      finding his own thought and feeling in the thought and feeling
      of other people – through his own thought and feeling.
      What he derives from people he returns to people.”

      Wallace Stevens
      The Poems of Our Climate

      I
      Clear water in a brilliant bowl,
      Pink and white carnations. The light
      In the room more like a snowy air,
      Reflecting snow. A newly-fallen snow
      At the end of winter when afternoons return.
      Pink and white carnations – one desires
      So much more than that. The day itself
      Is simplified: a bowl of white,
      Cold, a cold porcelain, low and round,
      With nothing more than the carnations there.

      II
      Say even that this complete simplicity
      Stripped one of all one’s torments, concealed
      The evilly compounded, vital I
      And made it fresh in a world of white,
      A world of clear water, brilliant-edged,
      Still one would want more, one would need more,
      More than a world of white and snowy scents.

      III
      There would still remain the never-resting mind,
      So that one would want to escape, come back
      To what had been so long composed.
      The imperfect is our paradise.
      Note that, in this bitterness, delight,
      Since the imperfect is so hot in us,
      Lies in flawed words and stubborn sounds.

      #186167
      Tift
      Participant

        Marianne Moore

        Saint Nicholas,

        might I if you can find it, be given
        a chameleon with a tail
        that curls like a watch spring; and vertical
        on the body – including the face – pale
        tiger-stripes, about seven;
        (the melanin in the skin
        having been shaded from the sun by thin
        bars; the spinal dome
        beaded along the ridge
        as if it were platinum).

        If you can find no striped chameleon,
        might I have a dress or suit-
        I guess you have heard of it- of qivuit* ?
        and to wear with it, a taslon shirt, the drip-dry fruit
        of research second to none;
        sewn, I hope, by Excello;
        as for buttons to keep down the collar points, no.
        The shirt could be white-
        and be “worn before six”,
        either in daylight or at night.

        But don’t give me, if I can’t have the dress,
        a trip to Greenland, or grim
        trip to the moon. The moon should come here. Let him
        make the trip down, spread on my dark floor some dim
        marvel, and if a success
        that I stoop to pick up and wear,
        I could ask nothing more. A thing yet more rare
        though, and different,
        would be this: Hans von Marees’
        St. Hubert, kneeling with head bent,

        form erect- in velvet, tense with restraint-
        hand hanging down: the horse, free.
        Not the original, of course. Give me
        a postcard of the scene- huntsman and divinity-
        hunt-mad Hubert startled into a saint
        by a stag with a figure entined.
        But why tell you what you must have divined ?
        Saint Nicholas, O Santa Claus,
        would it not be the most
        prized gift that ever was?

        ~
        ~
        *qivuit —

        To wear the arctic fox
        you have to kill it. Wear
        qivuit-the underwool of the arctic ox-
        pulled off it like a sweater;
        your coat is warm; your conscience, better.

        #186915
        Tift
        Participant

          Thomas Campion (1567-1620)
          I Care Not for These Ladies

          I care not for these ladies,
          That must be wooed and prayed:
          Give me kind Amaryllis,
          The wanton country maid.
          Nature art disdaineth,
          Her beauty is her own.
          Her when we court and kiss,
          She cries, “Forsooth, let go!”
          But when we come where comfort is,
          She never will say no.

          If I love Amaryllis,
          She gives me fruit and flowers:
          But if we love these ladies,
          We must give golden showers.
          Give them gold, that sell love,
          Give me the nut-brown lass,
          Who, when we court and kiss,
          She cries, “Forsooth, let go!”
          But when we come where comfort is,
          She never will say no.

          These ladies must have pillows,
          And beds by strangers wrought;
          Give me a bower of willows,
          Of moss and leaves unbought,
          And fresh Amaryllis,
          With milk and honey fed;
          Who, when we court and kiss,
          She cries, “Forsooth, let go!”
          But when we come where comfort is,
          She never will say no.

          #187478
          Tift
          Participant

            A Youth in Haste
            by: Callimachus (c. 310-240 B.C.)
            translated by H. W. Tytler

            A Youth, in haste, to Mitylene came,
            And anxious, thus reveal’d his am’rous flame
            To Pittacus the wife; O sacred Sire,
            For two fair nymphs I burn with equal fire,
            One lovely maid in rank and wealth like me,
            But one superior, and of high degree.
            Since both return my love, and each invites
            To celebrate with her the nuptial rites,
            Perplex’d with doubts, for sage advice I come:
            Whom shall I wed? ‘Tis you must fix my doom.
            So spake th’ impatient youth; th’ attentive sage
            Rais’d the support of his declining age,
            An ancient staff; and pointing to the ground
            Where sportive striplings lash’d their tops around
            With eager strokes; let yonder boys, he cry’d,
            Solve the dispute, and your long doubts decide.
            The youth drew nigh, and listen’d with surprize,
            Whilst from the laughing crowd these words arise,
            “Let equal tops with equal tops contend.”
            The boys prevail’d, and soon the contest end.
            The youth departing shun’d the wealthy dame,
            And chose th’ inferior maid to quench his flame.

            Go thou, my friend, obey the sage, and lead
            An equal beauty to thy nuptial bed.

            #193305
            Tift
            Participant

              Gaius Valerius Catullus (c. 84 BCE – 54BCE)

              Catallus lived intensely, he lived the high life, becoming a member
              of the neoteric, or “new,” poets. Aesthetically radical (though politically
              conservative), they followed an aesthetic programme explicitly opposed
              to the heroic grandeur of epic, favouring instead the small-scale, exquisite
              technique of the Alexandrian poet-scholar Callimachus.

              And he didn’t hold back on delicacy or anything really …
              .
              .
              .
              Written by Catullus
              Translated from the Latin by Michael G. Donkin
              (notes courtesy Brooklynrail)

              Aurelius and Furius: little cocksuckers
              I’ll fuck you up the ass
              and stuff your mouths!
              You who think
              since my poems are delicate I’m less than chaste.
              It’s well known that a poet who is devoted need not
              be upstanding in his verses.
              It’s clear that my lines are charming, witty.
              Then what of it if they’re a tad soft
              a bit shameless at times
              so long as my readers get turned on?
              Mind you I’m not talking about healthy boys, but hairy
              old geezers who can’t get it up
              by standard methods.
              Yet you still think because
              I’ve spoken of a good many kisses
              I’m somehow less than a man?
              Yeah, I’ll fuck you up the ass
              and stuff it in your mouths.



              Catullus referred to his lover, Clodia Metelli as Lesbia
              (not the Sapphic meaning)

              Lesbia, I am mad:
              my brain is entirely warped

              by this project of adoring
              and having you

              and now it flies into fits
              of hatred at the mere thought of your

              doing well, and at the same time
              it can’t help but seek what

              is unimaginable–
              your affection. This it will go on

              hunting for, even if it
              means my total and utter annihilation.



              poor boy

              #193952
              Tift
              Participant

                W.B Yeats wrote this sonnet in 1887 when he was 22.
                It was published in the Irish Monthly in September
                and was included in a larger piece, The Wanderings of Oisin
                which he completed the same year; and he was still known
                as Willie Yeats.

                She who dwelt among the sycamores
                W.B. Yeats

                A little boy outside the sycamore wood
                Saw on the wood’s edge gleam an ash grey feather;
                A kid, held by one soft white ear for teather
                Trotted beside him in a playful mood
                A little boy inside the sycamore wood.
                Followed a ringdove’s ash-grey gleam of feather;
                Noon wrapt the trees in veils of violet weather,
                And on tip-toe the winds a whispering stood.
                Deep in the woodland pause they, the six feet,
                Lapped in the lemon daffodils; a bee
                In the long grass – four eyes drooping low – a seat
                Of moss, a maiden weaving. Singeth she
                “I am love Lady Quietness, my sweet,
                And on this loom I weave thy destiny”.

                #194089
                Tift
                Participant

                  Sweet Daddy
                  by Patricia Smith

                  62. You would have been 62.
                  I would have given you a Rooselvelt Road
                  kinda time, an all-night jam in a
                  twine time joint, where you could have
                  taken over the mike
                  and crooned a couple.

                  The place be all blue light
                  and JB air
                  and big-legged women
                  giggling at the way
                  you spit tobacco into the sound system,
                  showing up some dime-store howler
                  with his pink car
                  pulled right up to the door outside.

                  You would have been 62.
                  And the smoke would have bounced
                  right off the top of your head,
                  like good preachin’.
                  I can see you now,
                  twirling those thin hips,
                  growling ’bout if it wasn’t for bad luck
                  you wouldn’t have no luck at all.
                  I said,
                  wasn’t for bad luck,
                  no luck at all.

                  Nobody ever accused you
                  of walking the paradise line.
                  You could suck Luckies
                  and line your mind with rubbing alcohol
                  if that’s what the night called for,
                  but Lord, you could cry foul
                  while B.B. growled Lucille from the jukebox;
                  you could dance like killing roaches
                  and kiss the downsouth ladies
                  on fatback mouths. Ooooweee, they’d say,
                  that sweet man sho’ know how deep my well goes.
                  And I bet you did, daddy,
                  I bet you did.

                  But hey, here’s to just another number.
                  To a man who wrote poems on the back
                  of cocktail napkins and brought them home
                  to his daughter who’d written her rhymes
                  under blankets.
                  Here’s to a strain on the caseload.
                  Here’s to the fat bullet
                  that left its warm chamber
                  to find you.
                  Here’s to the miracles
                  that spilled from your head
                  and melted into the air
                  like jazz.

                  The carpet had to be destroyed.
                  And your collected works
                  on aging, yellowed twists of napkin
                  can’t bring you back.
                  B.B. wail and blue Lucille
                  can’t bring you back.
                  A daughter who grew to write screams
                  can’t bring you back.

                  But a room
                  just like this one,
                  which suddenly seems to fill
                  with the dread odors of whiskey and smoke,
                  can bring you here
                  as close as my breathing.

                  But the moment is hollow.
                  It stinks.
                  It stinks sweet.

                  #195053
                  Tift
                  Participant

                    Transcendentalism
                    by Lucia Perillo

                    The professor stabbed his chest with his hands curled like forks
                    before coughing up the question
                    that had dogged him since he first read Emerson:
                    Why am I “I”? Like musk oxen we hunkered
                    while his lecture drifted against us like snow.
                    If we could, we would have turned our backs into the wind.

                    I felt bad about his class’s being such a snoozefest, though peaceful too,
                    a quiet little interlude from everyone outside
                    rooting up the corpse of literature
                    for being too Caucasian. There was a simple answer
                    to my own question (how come no one loved me,
                    stomping on the pedals of my little bicycle):

                    I was insufferable. So, too, was Emerson I bet,
                    though I liked If the red slayer think he slays—
                    the professor drew a giant eyeball to depict the Over-soul.
                    Then he read a chapter from his own book:
                    naptime.
                    He didn’t care if our heads tipped forward on their stalks.

                    When spring came, he even threw us a picnic in his yard
                    where dogwood bloomed despite a few last
                    dirty bergs of snow. He was a wounded animal
                    being chased across the tundra by those wolves,
                    the postmodernists. At any moment
                    you expected to see blood come dripping through his clothes.

                    And I am I who never understood his question,
                    though he let me climb to take a seat
                    aboard the wooden scow he’d been building in the shade
                    of thirty-odd years. How I ever rowed it
                    from his yard, into my life—remains a mystery.
                    The work is hard because the eyeball’s heavy, riding in the bow.
                    ~
                    ~

                    Lucia Perillo, “Transcendentalism” from Inseminating the Elephant.
                    Copyright © 2009 by Lucia Perillo.

                    #195180
                    Tift
                    Participant

                      High Windows
                      by Philip Larkin

                      When I see a couple of kids
                      And guess he’s fucking her and she’s
                      Taking pills or wearing a diaphragm,
                      I know this is paradise

                      Everyone old has dreamed of all their lives—
                      Bonds and gestures pushed to one side
                      Like an outdated combine harvester,
                      And everyone young going down the long slide

                      To happiness, endlessly. I wonder if
                      Anyone looked at me, forty years back,
                      And thought, That’ll be the life;
                      No God any more, or sweating in the dark

                      About hell and that, or having to hide
                      What you think of the priest. He
                      And his lot will all go down the long slide
                      Like free bloody birds. And immediately

                      Rather than words comes the thought of high windows:
                      The sun-comprehending glass,
                      And beyond it, the deep blue air, that shows
                      Nothing, and is nowhere, and is endless.

                      #196611
                      Tift
                      Participant

                        Hip-Hop Ghazal
                        by Patricia Smith

                        Gotta love us brown girls, munching on fat, swinging blue hips,
                        decked out in shells and splashes, Lawdie, bringing them woo hips.

                        As the jukebox teases, watch my sistas throat the heartbreak,
                        inhaling bassline, cracking backbone and singing thru hips.

                        Like something boneless, we glide silent, seeping ‘tween floorboards,
                        wrapping around the hims, and ooh wee, clinging like glue hips.

                        Engines grinding, rotating, smokin’, gotta pull back some.
                        Natural minds are lost at the mere sight of ringing true hips.

                        Gotta love us girls, just struttin’ down Manhattan streets
                        killing the menfolk with a dose of that stinging view. Hips.

                        Crying ’bout getting old—Patricia, you need to get up off
                        what God gave you. Say a prayer and start slinging. Cue hips.

                        #196704
                        Tift
                        Participant

                          Bird-Witted
                          Marianne Moore

                          With innocent wide penguin eyes, three
                          large fledgling mockingbirds below
                          the pussy-willow tree,
                          stand in a row,
                          wings touching, feebly solemn,
                          till they see
                          their no longer larger
                          mother bringing
                          something which will partially
                          feed one of them.

                          Toward the high-keyed intermittent squeak
                          of broken carriage springs, made by
                          the three similar, meek-
                          coated bird’s-eye
                          freckled forms she comes; and when
                          from the beak
                          of one, the still living
                          beetle has dropped
                          out, she picks it up and puts
                          it in again.

                          Standing in the shade till they have dressed
                          their thickly filamented, pale
                          pussy-willow-surfaced
                          coats, they spread tail
                          and wings, showing one by one,
                          the modest
                          white stripe lengthwise on the
                          tail and crosswise
                          underneath the wing, and the
                          accordion

                          is closed again. What delightful note
                          with rapid unexpected flute
                          sounds leaping from the throat
                          of the astute
                          grown bird, comes back to one from
                          the remote
                          unenergetic sun
                          lit air before
                          the brood was here ? How harsh
                          the bird’s voice has become.

                          A piebald cat observing them,
                          is slowly creeping toward the trim
                          trio on the tree stem.
                          Unused to him
                          the three make room-uneasy
                          new problem.
                          A dangling foot that missed
                          its grasp, is raised
                          and finds the twig on which it
                          planned to perch. The

                          parent darting down, nerved by what chills
                          the blood, and by hope rewarded –
                          of toil-since nothing fills
                          squeaking unfed
                          mouths, wages deadly combat,
                          and half kills
                          with bayonet beak and
                          cruel wings, the
                          intellectual cautious-
                          ly creeping cat.
                          .
                          .
                          .
                          First published 1936
                          The precise indenting of the 2nd, 4th, 7th & 8th lines
                          of each stanza cannot be shown because the forum
                          does not allow it, yet.

                          #196824
                          Tift
                          Participant

                            A Cold Spring
                            Elizabeth Bishop

                            A cold spring:
                            the violet was flawed on the lawn.
                            For two weeks or more the trees hesitated;
                            the little leaves waited,
                            carefully indicating their characteristics.
                            Finally a grave green dust
                            settled over your big and aimless hills.
                            One day, in a chill white blast of sunshine,
                            on the side of one a calf was born.
                            The mother stopped lowing
                            and took a long time eating the after-birth,
                            a wretched flag,
                            but the calf got up promptly
                            and seemed inclined to feel gay.

                            The next day
                            was much warmer.
                            Greenish-white dogwood infiltrated the wood,
                            each petal burned, apparently, by a cigarette-butt;
                            and the blurred redbud stood
                            beside it, motionless, but almost more
                            like movement than any placeable color.
                            Four deer practiced leaping over your fences.
                            The infant oak-leaves swung through the sober oak.
                            Song-sparrows were wound up for the summer,
                            and in the maple the complementary cardinal
                            cracked a whip, and the sleeper awoke,
                            stretching miles of green limbs from the south.
                            In his cap the lilacs whitened,
                            then one day they fell like snow.
                            Now, in the evening,
                            a new moon comes.
                            The hills grow softer. Tufts of long grass show

                            where each cow-flop lies.
                            The bull-frogs are sounding,
                            slack strings plucked by heavy thumbs.
                            Beneath the light, against your white front door,
                            the smallest moths, like Chinese fans,
                            flatten themselves, silver and silver-gilt
                            over pale yellow, orange, or gray.
                            Now, from the thick grass, the fireflies
                            begin to rise:
                            up, then down, then up again:
                            lit on the ascending flight,
                            drifting simultaneously to the same height,
                            –exactly like the bubbles in champagne.
                            –Later on they rise much higher.
                            And your shadowy pastures will be able to offer
                            these particular glowing tributes
                            every evening now throughout the summer.



                            First published 1953 with a dedication to Jane Dewey, Maryland
                            and a quote:-

                            Nothing is so beautiful as Spring – Hopkins (GM)

                            #197141
                            Tift
                            Participant

                              A famous Auden anecdote came from the time he was a teacher
                              of English to foreign students in the 1930’s when a Japanese
                              student translated the phrase “out of sight, out of mind” to
                              “invisible, insane” – Auden moved to the USA in 1939 and this
                              poem was written in 1941 but not published until December 2021
                              in the New York Review of Books.

                              W.H. Auden
                              a poem

                              We get the Dialectic fairly well,
                              How streams descending turn to trees that climb,
                              That what we are not we shall be in time,
                              Why some unlikes attract, all likes repel.
                              But is it up to creatures or their fate
                              To give the signal when to change a state?

                              Granted that we might possibly be great
                              And even be expected to get well
                              How can we know it is required by fate
                              As truths are forced on poets by a rhyme?
                              Ought we to rush upon our lives pell-mell?
                              Things have to happen at the proper time

                              And no two lives are keeping the same time,
                              As we grow old our years accelerate,
                              The pace of processes inside each cell
                              Alters profoundly when we feel unwell,
                              The motions of our protoplasmic slime
                              Can modify our whole idea of fate.

                              Nothing is unconditional but fate.
                              To grumble at it is a waste of time,
                              To fight it, the unpardonable crime.
                              Our hopes and fears must not grow out of date,
                              No region can include itself as well,
                              To judge our sentence is to live in hell.

                              Suppose it should turn out, though, that our bell
                              Has been in fact already rung by fate?
                              A calm demeanor is all very well
                              Provided we were listening at the time.
                              We have a shrewd suspicion we are late,
                              Our look of rapt attention just a mime,

                              That we have really come to like our grime,
                              And do not care, so far as one can tell,
                              For whom or for how long we are to wait.
                              Whatever we obey becomes our fate,
                              What snares the pretty little birds is time,
                              That what we are, we only are too well.

                              #197531
                              Tift
                              Participant

                                Serhyi Zhadan is one of Ukraine’s best known poets and novelists,
                                who gathers crowds of thousands of people at his book launches and events.

                                [So I’ll talk about it]
                                by Serhiy Zhadan

                                So I’ll talk about it:
                                about the green eye of a demon in the colorful sky.
                                An eye that watches from the sidelines of a child’s sleep.
                                The eye of a misfit whose excitement replaces fear.
                                Everything started with music,
                                with scars left by songs
                                heard at fall weddings with other kids my age.
                                The adults who made music.
                                Adulthood defined by this—the ability to play music.
                                As if some new note, responsible for happiness,
                                appears in the voice,
                                as if this knack is innate in men:
                                to be both hunter and singer.
                                Music is the caramel breath of women,
                                tobacco-scented hair of men who gloomily
                                prepare for a knife-fight with the demon
                                who has just crashed the wedding.
                                Music beyond the cemetery wall.
                                Flowers that grow from women’s pockets,
                                schoolchildren who peek into the chambers of death.
                                The most beaten paths lead to the cemetery and water.
                                You hide only the most precious things in the soil—
                                the weapon that ripens with wrath,
                                porcelain hearts of parents that will chime
                                like the songs of a school choir.
                                I’ll talk about it—
                                about the wind instruments of anxiety,
                                about the wedding ceremony as memorable
                                as entering Jerusalem.
                                Set the broken psalmic rhythm of rain
                                beneath your heart.
                                Men that dance the way they quench
                                steppe-fire with their boots.
                                Women that hold onto their men in dance
                                like they don’t want to let them go to war.
                                Eastern Ukraine, the end of the second millennium.
                                The world is brimming with music and fire.
                                In the darkness flying fish and singing animals give voice.
                                In the meantime, almost everyone who got married then has died.
                                In the meantime, the parents of people my age have died.
                                In the meantime, most heroes have died.
                                The sky unfolds, as bitter as it is in Gogol’s novellas.
                                Echoing, the singing of people who gather the harvest.
                                Echoing, the music of those who cart stones from the field.
                                Echoing, it doesn’t stop.

                                translated by John Hennessy and Ostap Kin

                                #197618
                                Tift
                                Participant

                                  Some verses by Patricia Smith from her 2021 book
                                  Crowns: My Hair, My Soul, My Freedom

                                  (It’s art upon our heads, a glory spill)

                                  Nap Unleashed (a few chosen verses)
                                  by Patricia Smith
                                  .
                                  .

                                  Once we were slaves. Our hair was furious,
                                  forever springing loose from plaits and bows,
                                  rejecting homemade greases meant to tame
                                  the wild and wiry bloom that snapped its bands
                                  and leapt alive at every chance. At least
                                  some part of us was running free, like flame
                                  that hungers for a sky, like praying fixed
                                  on someplace we knew heaven was. We sang
                                  our songs but didn’t move our mouths, we burned
                                  to black inside ourselves. With rivers as
                                  our mirrors, we began to build a wall
                                  between our stolen air and us. We snapped
                                  our dresses to our throats, made sure our hair
                                  was braided thick against the spit of men.

                                  Hair braided thick against the spit of men,
                                  we hurtled forth—for years, we mystified
                                  the whisper-tressed, but listened when they said
                                  that we were wrong, not white or silk enough,
                                  and that we’d never be unless we walked
                                  into the fire, succumbing to a hate
                                  we’d hoarded for ourselves. Because they loved
                                  their blemished daughters, mamas twisted knobs
                                  on cranky ovens, conjured flame, and made
                                  us sit on rusted, wobbling kitchen chairs
                                  beneath the ironing comb that charred our necks,
                                  beneath the lye that chewed at scalp and root,
                                  and we endured that hurt, forgot the days
                                  our chaos crown had bellowed, nap unleashed.
                                  .
                                  .
                                  When we explode, we know ourselves again,
                                  we shake our funky, liberated heads,
                                  and raise our voices to the rafters—Do
                                  not dare touch these crowns. And we are Accra,
                                  and we are Alabama, Brooklyn, Watts,
                                  and we are middle finger lifted toward
                                  the seething witnesses to all this joy,
                                  and we are Trinidad and Harlem, we
                                  are bopping straight into the yesterday
                                  we were, and straight into the history
                                  we’ve made and straight into tomorrow with
                                  our rampant naps so gleefully unchecked,
                                  so unrestrained, entwined ’til we become
                                  a single soul, yet none of us the same.

                                  A single soul, yet none of us the same,
                                  we are the only government we need—
                                  our vivid, cocky crowns stunned in their tilt
                                  and swirl, they devastate and irritate,
                                  they be our gospel, be our calling card,
                                  they be our halo, be the way we reach
                                  for sky. The crown is ours to snip or dye
                                  a hundred awkward hues, it’s ours to tuck
                                  beneath a Sunday hat, to crimp and twist,
                                  to scissor down to air, much like a man’s.
                                  This hair is all our other breath. It’s art
                                  upon our heads, a glory spill. It’s wild,
                                  bewildering and sexy in its snarl,
                                  it’s neon, razored, locked and knotted, looped

                                  and razored, locked and neon, looped and not
                                  the business of just anyone, our hair
                                  is blatantly political, a staunch
                                  and blaring tangle, glory in our names,
                                  the gospel on our bobbing heads, it’s fierce—
                                  and yes, still furious, still springing loose
                                  from any peril set on silencing
                                  its roar. You’ve underestimated us,
                                  you didn’t know the muscularity of kink
                                  was busily rebirthing us—it taught
                                  us all the ways to mouth our names
                                  with Serengeti tongues, it’s quarrelsome
                                  and coiled, it’s all the things but always black

                                  and coiled. This hair is all the things. But, black
                                  and wily goddesses, we’ve always known
                                  the powerfulness of wearing our own sky,
                                  the lyric of the scar, we’ve always known
                                  that even though they dared to call us slaves,
                                  we never were. If only they had heard
                                  the freedom on our heads, the jubilant
                                  triumphant wail of all that hair, its rude
                                  unbridled verb, they would have left us free
                                  to rule our own damned selves, to live our sweet
                                  and colored lives. Our hair is throat, is knife
                                  against the throat, is song within the throat,
                                  it’s how we rock and conquer every room,
                                  our hair’s the funk, the scorch, Aretha’s growl

                                  .

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