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Joan Baez wrote:
In 1965, Bob Dylan and I were discussing the state of the music scene. He said The Byrds, who had made a hit of “Mr. Tambourine Man,” were the only thing happening musically at that point in time. Perhaps an exaggeration, but certainly a tribute to the stellar musicians who formed the budding monster groups of the years to come like The Byrds and CSNY.
David Crosby was among the monster group icons who continued a solo career with the kind of success reserved for great musicians. And he could sing the hell out of a harmony.
He was also a friend to me. He was always, I repeat, always present for me, to defend my character and politics, and often included over the top (sometimes unwarranted) praise. He was funny, clever, and refreshing to be around. And I was honored that he chose my portrait of him as his last album cover.
He will be missed by millions, including myself. Sending my love to Jan and his family.
Warren Haynes wrote (Of the passing of David Crosby):
Not sure I can keep doing this. Still reeling from Jeff Beck’s death and now Croz. I guess we’ve reached that time where our musical heroes are passing at a frequency that is no surprise but still shocking. David Crosby changed the landscape of music as a solo artist and as a member of the Byrds, CSN, and CSNY. His soulful and melodic voice, offset by his brilliantly unique songwriting made its way into every household that loved not only the “folk rock” anomaly of CSN but also, as was unique to the times, Hendrix, Janis Joplin, Jefferson Airplane, Sly & the Family Stone, Santana, the Grateful Dead—the list goes on and on. Our household was no exception. I really loved the beautiful melodies, the three-part harmony, and the ethereal quality of this music, which somehow also had a heaviness to it. Not in the loud sense of the term but in the gravity and depth of the songs and the performances. Despite the overall acoustic/folky nature of all the different projects that Crosby was part of, this music fit perfectly alongside the heaviest and most psychedelic music of that time period. Not just because it incorporated electric instrumentation as well, but because it was unique and defied categorization. It was as much “rock music” as any of the aforementioned artists. I didn’t know David very well but I cherish the one time we played together, which was at a Hepatitis C Benefit at the Beacon Theater in NYC with the Allman Brothers Band along with David and Graham Nash, Phil Lesh, and Natalie Cole. It was a huge moment for me to duet with David on “Almost Cut My Hair” and to sing Stephen Stills’ part on “Find the Cost of Freedom” along with him and Graham. I’ll never forget it. Thanks David, from millions of us, for your contribution to the world of music. It is a huge one. – WH
RIP Raquel Welsh
Raquel Welch, the Hollywood sex symbol famous for her 1960s roles in “One Million Years B.C.” and “Fantastic Voyage,” has died at 82.
Gary Rossington, Lynyrd Skynyrd’s last surviving original member who also helped to found the group, died Sunday, March 5th, 2023, at the age of 71. No cause of death was given.
“Gary is now with his Skynyrd brothers and family in heaven and playing it pretty, like he always does. Please keep Dale, Mary, Annie and the entire Rossington family in your prayers and respect the family’s privacy at this difficult time.”
Rossington cheated death more than once. He survived a car accident in 1976 in which he drove his Ford Torino into a tree, inspiring the band’s cautionary song “That Smell.” A year later, he emerged from the 1977 plane crash that killed singer Ronnie Van Zant, guitarist Steve Gaines and backing vocalist Cassie Gaines, with two broken arms, a broken leg, and a punctured stomach and liver.
“It was a devastating thing,” he told Rolling Stone in 2006. “You can’t just talk about it real casual and not have feelings about it.”
“I thank God every day and night that I can keep playing and spreading the name of Skynyrd and our brand. Just being able to talk about Ronnie and Allen (Collins, who died in 1990) and share their music with the audience,” Rossington said. “We had a dream back in the day to be in a big band and make it and then it was taken away from (some of) them real quick. (Those who died in the plane crash), they didn’t get a chance to see how Skynyrd developed, how ‘Free Bird’ became an anthem. So I get to tell their story.”
R.I.P. …. Mary Quant…..
Known as the mother of the miniskirt, clad in her signature play clothes and boots, with huge painted eyes, fake freckles and a bob, she epitomized London’s Swinging Sixties.
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